Essay on Understanding Persons with Intellectual...

It is important to understand the terms that are associated with intellectual disabilities. The first term is disability. Disability is an individual performing which includes physical, sensory, cognitive, intellectual mental illness impairments, and various types of chronic diseases. The next term involves intelligence. This term is the ability to think logically, reason out problems, prepare, understand difficult ideas, examine intellectually, and the ability to determine quickly and or acquire from experience. Third term is adaptive behavior. Adaptive behavior is the collection of conceptual, social, and practical skills that all individuals learn in order to perform in their everyday lives. An example of conceptual skills is†¦show more content†¦This can include the daily, social, and physical skills of an individual. However, this disability is noticeable before the age of 18 in most individuals. In intellectual disabled individuals the characteristics reveals th at this disability is shown at birth and or shortly after. Therefore, these individuals have significant damage to their central nervous system, multiple disabilities, and or health conditions (Heward, 2009). However, the damage affects how the individual learn academic information. Also the intellectual functioning in individuals with intellectual disability have an IQ of 70 or below which is obtained by standardize testing or a batteries of tests. Therefore the main causes of intellectual disability are Down syndrome, Fetal Alcohol Spectrum Disorders (FASD) and fragile x syndrome. Therefore, these causes can be categorized as genetic conditions, problems during pregnancy, problems at birth, problems after birth, and poverty and cultural deprivation. Genetic conditions can pertain to disorders of genes that were caused during pregnancy by infections. Problem during pregnancy is when illnesses of the mother during pregnancy occurred due to toxoplasmosis, cytomegalovirus, rubella and syphilis. The problem at birth can be caused by prematurity and low birth weight. Problems after birth can be a result of lead, mercury and other environmental toxins. Poverty and cultural deprivation is a result of childhoodShow MoreRelatedIntellectual Disabilities And Attention Deficit Hyperactivity Disorder1493 Words   |  6 PagesGood evening Dr. Joseph and fellow colleagues, I am Samantha and this is Kezia and we will like to share with you for a few minutes our findings in relation to intellectual disabilities and Attention Deficit Hyperactivity Disorder. Our presentation this evening will be in the form of audio-visual. These topics are very broad topics, but due to limitations of time we would only be able to cover a few points in that space of time. We will try to make it as interesting and informative as possible, butRead MoreMental Disabilities : Struggling With Loss And Grief870 Words   |  4 PagesDoka, K. J. Individuals with intellectual disabilities: Struggling with loss and grief. In RESCARE NZ. Retrieved from http://www.rescarenz.org.nz/Publications%20%20Papers/ciwid.pdf In his article Dr. Doka addresses the reasons that persons with ID need counseling, and how to better support them during times of grieving. He explains there are several reasons for improved bonding in the disabled community. These include a longer lifespan, and better community activities in group homes. He pointsRead MoreIntellectual Disabilities Essay1164 Words   |  5 PagesPersons with Intellectual Disabilities or Intellectually Disabled Persons: Which is the Classifying Entity? As I write this, sitting in a solitaire corner of the library, Im gently enclosing in my hand a simple rubber bracelet. My inspiration. Not the famous, bright yellow LiveStrong ones that Neil Armstrong once yielded, but a modest black band with contrasting white letters simply stating I See You. This statement may seem unpretentious and bland, maybe even comical to some, but it has a sincereRead MoreSpeaking About Sexual Practices With Others917 Words   |  4 PagesSpeaking about sexual practices with others can be an uncomfortable situation. If an individual has a disability, this conversation can be even more challenging. In fact, most of the population believe that those who have a disability not only should not have sex; that they simply are unable. This belief is false. It is crucial for the general population to understand that those with disabilities are just as capable of engaging in intimate acts with their loved ones as those who were born withoutRead MoreWhat s Eating G ilbert Grape?884 Words   |  4 Pagesplays Arnie Grape, a teenager with an intellectual disability. DiCaprio’s well-planned performance creates a believably realistic portrait of life for someone with autism and intellectual disability, showing the character’s own behaviors as well as reactions by family and community members. Arnie Grape exhibits many of the behaviors associated with autism spectrum disorder as well as intellectual disability in a more general sense. Intellectual disabilities may impact a person’s cognitive functionsRead MoreThe American Association Of Intellectual And Developmental Disabilities Essay1386 Words   |  6 Pages People with disabilities may be restricted from participating in events in society because of their functional disabilities. Environmental and personal factors also play a role in affecting people’s lives (CDC, 2014). According to the U.S. Department of Justice (2009): An individual with a disability is defined by the American with Disabilities Act (ADA) as a person who has a physical or mental impairment that substantially limits one or more major life activities, a person who has a historyRead MoreCharacter Analysis of Sam Dawson from the Film, I Am Sam1669 Words   |  7 Pageswho is a homeless person. There is not extensive information provided in the film regarding Sams upbringing, but based on his present situation, he is a well adjusted person in a middle class atmosphere. It seems he has enough assets to provide for himself and his daughter in a fairly independent basis. His daughter, Lucy, is happy and taken care of, but the tension begins when Lucy exceeds Sams mental capacity. Her peers ridicule her and her father because of his intellectual deficiencies, callingRead MoreNeeds of Diverse Students1384 Words   |  6 Pagesproviding for special needs children is essential to special education. Once a child has been diagnosis with a dis ability or multiple disabilities, a plan of care is initiated according to the severity of their condition and their needs. This plan is individualized; one child’s diagnosis is not a reflection of the wide range conditions that affect many children. Intellectual disabilities can be mild to profound, can be caused by different factors and can have a different impact on a student’s educationRead MoreEssay about Forest gump1423 Words   |  6 Pagesï » ¿Forrest Gump is a film that portrays the life of a man who has borderline intellectual functioning, from when he was young, all through his adulthood. Forrest was the victim of ongoing bullying and abuse from the mean-spirited children in his area. The movie shows the challenges he faced and how he overcame them, some with luck, but others with his ability; despite the fact that he has an IQ of 75. The story plays off in a series of decades in the life of Forrest Gump, a slow-witted yet athleticallyRead MoreThe Importance Of Providing Better Assessments For Adults With Disabilities1559 Words   |  7 Pagesinteractions, the basic unit of society. This research will focus on the importance of providing better assessments for Adults with Disabilities, before placing them into a specific housing setting, without undermining their independence level. In 1998, Wehmeyer and Bolding published a research article that focused on the enhancement of self-determination of adults with disabilities after they lived or worked in community-based environments. This research specifically focused on the intellectually disabled

Analysis Of Walt Disney s Disney - 2028 Words

If I say the word ‘Disney’, most people would automatically think of Mickey Mouse, Peter Pan, and all of the beloved characters that we’ve grown up with and grown fond of, right? Hollywood’s best known studio, Walt Disney Animation, wasn’t always a billion-dollar organization, but still, after almost 100 years, manages to capture the hearts and captivate the eyes of the world. In this expository essay, I will explain how Disney began, how it grew, and how it still manages to affect the world, even after Walt Disney’s death. Disney, the best known studio in Hollywood, California, started small. Walt Disney, and his brother Roy, produced many short live-action and animated films called the Alice Comedies in the back of a small office from Holly-Vermont Reality in Los Angeles in 1923, with the rent only $10 a month. By month four, the staff moved to a larger building, which read ‘Disney Bros. Studio’ on the window. One year later, Wa lt and Roy moved into a Hyperion Avenue lot in Los Angeles (‘The Walt Disney Studios History’). After failed attempts to make the audience enjoy the Alice Comedies, Disney created Oswald the Lucky Rabbit. Universal Pictures distributed it, but Disney lost the contract in February of 1928 to Charles Mintz. In 1928, Disney created a mouse, whom his wife wanted to call ‘Mortimer’, but he chose the name ‘Mickey’, with his chief animator, Ub Iwerks. Disney’s first sound film, Steamboat Willie, starring Mickey, released November 18, 1928. The third ofShow MoreRelatedAnalysis Of Walt Disney s The Disney Company1126 Words   |  5 PagesThe Walt Disney Company Walt and Roy Disney founded the Walt Disney Company on October 16 of 1923, as the Disney Brothers Cartoon Studio. Established leader in the American animation industry that began with the Creation of Mickey Mouse; today, the Walt Disney Company is a diversified worldwide entertainment company. 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Also, Disney was created over 90 years ago, and till this very day its most entertaining animation company. Throughout period of time, they have played a tremendous role in how society displays gender roles. As Janet Wasko explains: â€Å"Disney provides an opportunity to analyse an entire popular cultural phenomenon fromRead MoreAnalysis Of Walt Disney s Magical Disney 1414 Words   |  6 Pagesâ€Å"Magical Disney† Can there be a world without Walt Disney? The answer is no, because he has transformed the way of the television and theme park industry that consists in our world today. Walt also brought great teachings and inspirations such as the ability to dream. Walt said,† If you can dream it you can do it. Walt Disney is a wonderful and patriotic man who had a wonderful and happy life doing what he loves, making other s dreams come true. First who is Walt Disney and how didRead MoreAnalysis Of Walt Disney s Transformational Leadership1726 Words   |  7 PagesIntroduction The purpose of this paper is to act as a consulting analysis on how Walt Disney utilized his transformational leadership and brought to the world one of the most famous entertainment companies in the 20th century. Transformational leaders provide extraordinary motivation by appealing to people’s ideals and values and inspiring them to think about issues in new ways. It begins with a vision and the leader embeds that vision into others through encouragement, enthusiasm and motivationRead MoreAnalysis Of Walt Disney s The Great Gatsby 1660 Words   |  7 PagesThis is the man who created the happiest place on earth. This.Is. Walt. Disney *que cartoon* Walt Disney’s Steamboat Willie, the first of many other Mickey Mouse cartoons, was a great hit all over the world. But it took a difficult and long journey to be where his legacy is today. 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No two love stories are ever theRead MoreAnalysis Of Walt Disney s Public Limited Company1262 Words   |  6 PagesWalt Disney Public Limited Company 4.5 Detailed explanation of ratios and detail analysis of the company Liquidity ratio is consists of current and acid ratio. It is used to assess firm’s ability to its short-term debts. It does not count about profit but working capital, which is important to ability of paying its short-term debt of the business. Current Ratio analysis Current Ratio is used by business to compare its current liability with current assets. Preferable current ratio is advised toRead MoreAnalysis Of Walt Disney s The Happiest Place On Earth 1159 Words   |  5 Pages The Legend A man by the name of Walt Disney, is the ideal symbol of an American hero. Disney is known to bring inspiration and imagination into many of his productions. Disneyland, the happiest place on earth, was built by Disney in the late forties. 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The Da Vinci Code Chapter 33-37 Free Essays

CHAPTER 33 Sophie’s SmartCar tore through the diplomatic quarter, weaving past embassies and consulates, finally racing out a side street and taking a right turn back onto the massive thoroughfare of Champs-Elysees. Langdon sat white-knuckled in the passenger seat, twisted backward, scanning behind them for any signs of the police. He suddenly wished he had not decided to run. We will write a custom essay sample on The Da Vinci Code Chapter 33-37 or any similar topic only for you Order Now You didn’t, he reminded himself. Sophie had made the decision for him when she threw the GPS dot out the bathroom window. Now, as they sped away from the embassy, serpentining through sparse traffic on Champs-Elysees, Langdon felt his options deteriorating. Although Sophie seemed to have lost the police, at least for the moment, Langdon doubted their luck would hold for long. Behind the wheel Sophie was fishing in her sweater pocket. She removed a small metal object and held it out for him. â€Å"Robert, you’d better have a look at this. This is what my grandfather left me behind Madonna of the Rocks.† Feeling a shiver of anticipation, Langdon took the object and examined it. It was heavy and shaped like a cruciform. His first instinct was that he was holding a funeral pieu – a miniature version of a memorial spike designed to be stuck into the ground at a gravesite. But then he noted the shaft protruding from the cruciform was prismatic and triangular. The shaft was also pockmarked with hundreds of tiny hexagons that appeared to be finely tooled and scattered at random. â€Å"It’s a laser-cut key,† Sophie told him. â€Å"Those hexagons are read by an electric eye.† A key? Langdon had never seen anything like it. â€Å"Look at the other side,† she said, changing lanes and sailing through an intersection. When Langdon turned the key, he felt his jaw drop. There, intricately embossed on the center of the cross, was a stylized fleur-de-lis with the initials P. S. !† Sophie,† he said,† this is the seal I told you about! The official device of the Priory of Sion.† She nodded. â€Å"As I told you, I saw the key a long time ago. He told me never to speak of it again.† Langdon’s eyes were still riveted on the embossed key. Its high-tech tooling and age-oldsymbolism exuded an eerie fusion of ancient and modern worlds. â€Å"He told me the key opened a box where he kept many secrets.† Langdon felt a chill to imagine what kind of secrets a man like Jacques Sauniere might keep. What an ancient brotherhood was doing with a futuristic key, Langdon had no idea. The Priory existed for the sole purpose of protecting a secret. A secret of incredible power. Could this key have something to do with it? The thought was overwhelming. â€Å"Do you know what it opens?† Sophie looked disappointed. â€Å"I was hoping you knew.† Langdon remained silent as he turned the cruciform in his hand, examining it. â€Å"It looks Christian,† Sophie pressed. Langdon was not so sure about that. The head of this key was not the traditional long-stemmed Christian cross but rather was a square cross – with four arms of equal length – which predated Christianity by fifteen hundred years. This kind of cross carried none of the Christian connotations of crucifixion associated with the longer-stemmed Latin Cross, originated by Romans as a torture device. Langdon was always surprised how few Christians who gazed upon† the crucifix† realized their symbol’s violent history was reflected in its very name:† cross† and† crucifix† came from the Latin verb cruciare – to torture. â€Å"Sophie,† he said,† all I can tell you is that equal-armed crosses like this one are considered peaceful crosses. Their square configurations make them impractical for use in crucifixion, and their balanced vertical and horizontal elements convey a natural union of male and female, making them symbolically consistent with Priory philosophy.† She gave him a weary look. â€Å"You have no idea, do you?† Langdon frowned. â€Å"Not a clue.† â€Å"Okay, we have to get off the road.† Sophie checked her rearview mirror. â€Å"We need a safe place to figure out what that key opens.† Langdon thought longingly of his comfortable room at the Ritz. Obviously, that was not an option. â€Å"How about my hosts at the American University of Paris?† â€Å"Too obvious. Fache will check with them.† â€Å"You must know people. You live here.† â€Å"Fache will run my phone and e-mail records, talk to my coworkers. My contacts are compromised, and finding a hotel is no good because they all require identification.† Langdon wondered again if he might have been better off taking his chances letting Fache arrest him at the Louvre. â€Å"Let’s call the embassy. I can explain the situation and have the embassy send someone to meet us somewhere.† â€Å"Meet us?† Sophie turned and stared at him as if he were crazy. â€Å"Robert, you’re dreaming. Your embassy has no jurisdiction except on their own property. Sending someone to retrieve us would be considered aiding a fugitive of the French government. It won’t happen. If you walk into your embassy and request temporary asylum, that’s one thing, but asking them to take action against French law enforcement in the field?† She shook her head. â€Å"Call your embassy right now, and they are going to tell you to avoid further damage and turn yourself over to Fache. Then they’ll promise to pursue diplomatic channels to get you a fair trial.† She gazed up the line of elegant storefronts on Champs-Elysees. â€Å"How much cash do you have?† Langdon checked his wallet. â€Å"A hundred dollars. A few euro. Why?† â€Å"Credit cards?† â€Å"Of course.† As Sophie accelerated, Langdon sensed she was formulating a plan. Dead ahead, at the end of Champs-Elysees, stood the Arc de Triomphe – Napoleon’s 164-foot-tall tribute to his own military potency – encircled by France’s largest rotary, a nine-lane behemoth. Sophie’s eyes were on the rearview mirror again as they approached the rotary. â€Å"We lost them for the time being,† she said,† but we won’t last another five minutes if we stay in this car.† So steal a different one, Langdon mused, now that we’re criminals. â€Å"What are you going to do?† Sophie gunned the SmartCar into the rotary. â€Å"Trust me.† Langdon made no response. Trust had not gotten him very far this evening. Pulling back the sleeve of his jacket, he checked his watch – a vintage, collector’s-edition Mickey Mouse wristwatch that had been a gift from his parents on his tenth birthday. Although its juvenile dial often drew odd looks, Langdon had never owned any other watch; Disney animations had been his first introduction to the magic of form and color, and Mickey now served as Langdon’s daily reminder to stay young at heart. At the moment, however, Mickey’s arms were skewed at an awkward angle, indicating an equally awkward hour. 2:51 A. M. â€Å"Interesting watch,† Sophie said, glancing at his wrist and maneuvering the SmartCar around the wide, counterclockwise rotary. â€Å"Long story,† he said, pulling his sleeve back down. â€Å"I imagine it would have to be.† She gave him a quick smile and exited the rotary, heading due north, away from the city center. Barely making two green lights, she reached the third intersection and took a hard right onto Boulevard Malesherbes. They’d left the rich, tree-lined streets of the diplomatic neighborhood and plunged into a darker industrial neighborhood. Sophie took a quick left, and a moment later, Langdon realized where they were. Gare Saint-Lazare. Ahead of them, the glass-roofed train terminal resembled the awkward offspring of an airplane hangar and a greenhouse. European train stations never slept. Even at this hour, a half-dozen taxi sidled near the main entrance. Vendors manned carts of sandwiches and mineral water while grungy kids in backpacks emerged from the station rubbing their eyes, looking around as if trying to remember what city they were in now. Up ahead on the street, a couple of city policemen stood on the curb giving directions to some confused tourists. Sophie pulled her SmartCar in behind the line of taxis and parked in a red zone despite plenty of legal parking across the street. Before Langdon could ask what was going on, she was out of the car. She hurried to the window of the taxi in front of them and began speaking to the driver. As Langdon got out of the SmartCar, he saw Sophie hand the taxi driver a big wad of cash. The taxi driver nodded and then, to Langdon’s bewilderment, sped off without them. â€Å"What happened?† Langdon demanded, joining Sophie on the curb as the taxi disappeared. Sophie was already heading for the train station entrance. â€Å"Come on. We’re buying two tickets on the next train out of Paris.† Langdon hurried along beside her. What had begun as a one-mile dash to the U. S. Embassy had now become a full-fledged evacuation from Paris. Langdon was liking this idea less and less. CHAPTER 34 The driver who collected Bishop Aringarosa from Leonardo Da Vinci International Airport pulled up in a small, unimpressive black Fiat sedan. Aringarosa recalled a day when all Vatican transports were big luxury cars that sported grille-plate medallions and flags emblazoned with the seal of the Holy See. Those days are gone.Vatican cars were now less ostentatious and almost always unmarked. The Vatican claimed this was to cut costs to better serve their dioceses, but Aringarosa suspected it was more of a security measure. The world had gone mad, and in many parts of Europe, advertising your love of Jesus Christ was like painting a bull’s-eye on the roof of your car. Bundling his black cassock around himself, Aringarosa climbed into the back seat and settled in for the long drive to Castel Gandolfo. It would be the same ride he had taken five months ago. Last year’s trip to Rome, he sighed. The longest night of my life. Five months ago, the Vatican had phoned to request Aringarosa’s immediate presence in Rome. They offered no explanation. Your tickets are at the airport.The Holy See worked hard to retain a veil of mystery, even for its highest clergy. The mysterious summons, Aringarosa suspected, was probably a photo opportunity for the Pope and other Vatican officials to piggyback on Opus Dei’s recent public success – the completion of their World Headquarters in New York City. Architectural Digest had called Opus Dei’s building† a shining beacon of Catholicism sublimely integrated with the modern landscape,† and lately the Vatican seemed to be drawn to anything and everything that included the word† modern.† Aringarosa had no choice but to accept the invitation, albeit reluctantly. Not a fan of the current papal administration, Aringarosa, like most conservative clergy, had watched with grave concern as the new Pope settled into his first year in office. An unprecedented liberal, His Holiness had secured the papacy through one of the most controversial and unusual conclaves in Vatican history. Now, rather than being humbled by his unexpected rise to power, the Holy Father had wasted no time flexing all the muscle associated with the highest office in Christendom. Drawing on an unsettling tide of liberal support within the College of Cardinals, the Pope was now declaring his papal mission to be† rejuvenation of Vatican doctrine and updating Catholicism into the third millennium.† The translation, Aringarosa feared, was that the man was actually arrogant enough to think he could rewrite God’s laws and win back the hearts of those who felt the demands of true Catholicism had become too inconvenient in a modern world. Aringarosa had been using all of his political sway – substantial considering the size of the Opus Dei constituency and their bankroll – to persuade the Pope and his advisers that softening the Church’s laws was not only faithless and cowardly, but political suicide. He reminded them that previous tempering of Church law – the Vatican II fiasco – had left a devastating legacy: Church attendance was now lower than ever, donations were drying up, and there were not even enough Catholic priests to preside over their churches. People need structure and direction from the Church, Aringarosa insisted, not coddling and indulgence! On that night, months ago, as the Fiat had left the airport, Aringarosa was surprised to find himself heading not toward Vatican City but rather eastward up a sinuous mountain road. â€Å"Where are we going?† he had demanded of his driver. â€Å"Alban Hills,† the man replied. â€Å"Your meeting is at Castel Gandolfo.† The Pope’s summer residence? Aringarosa had never been, nor had he ever desired to see it. In addition to being the Pope’s summer vacation home, the sixteenth-century citadel housed the Specula Vaticana – the Vatican Observatory – one of the most advanced astronomical observatories in Europe. Aringarosa had never been comfortable with the Vatican’s historical need to dabble in science. What was the rationale for fusing science and faith? Unbiased science could not possibly be performed by a man who possessed faith in God. Nor did faith have any need for physical confirmation of its beliefs. Nonetheless, there it is, he thought as Castel Gandolfo came into view, rising against a star-filled November sky. From the access road, Gandolfo resembled a great stone monster pondering a suicidal leap. Perched at the very edge of a cliff, the castle leaned out over the cradle of Italian civilization – the valley where the Curiazi and Orazi clans fought long before the founding of Rome. Even in silhouette, Gandolfo was a sight to behold – an impressive example of tiered, defensive architecture, echoing the potency of this dramatic cliff side setting. Sadly, Aringarosa now saw, the Vatican had ruined the building by constructing two huge aluminum telescope domes atop the roof, leaving this once dignified edifice looking like a proud warrior wearing a couple of party hats. When Aringarosa got out of the car, a young Jesuit priest hurried out and greeted him. â€Å"Bishop, welcome. I am Father Mangano. An astronomer here.† Good for you.Aringarosa grumbled his hello and followed his host into the castle’s foyer – a wide- open space whose decor was a graceless blend of Renaissance art and astronomy images. Following his escort up the wide travertine marble staircase, Aringarosa saw signs for conference centers, science lecture halls, and tourist information services. It amazed him to think the Vatican was failing at every turn to provide coherent, stringent guidelines for spiritual growth and yet somehow still found time to give astrophysics lectures to tourists. â€Å"Tell me,† Aringarosa said to the young priest,† when did the tail start wagging the dog?† The priest gave him an odd look. â€Å"Sir?† Aringarosa waved it off, deciding not to launch into that particular offensive again this evening. The Vatican has gone mad.Like a lazy parent who found it easier to acquiesce to the whims of a spoiled child than to stand firm and teach values, the Church just kept softening at every turn, trying to reinvent itself to accommodate a culture gone astray. The top floor’s corridor was wide, lushly appointed, and led in only one direction – toward a huge set of oak doors with a brass sign. BIBLIOTECA ASTRONOMICA Aringarosa had heard of this place – the Vatican’s Astronomy Library – rumored to contain more than twenty-five thousand volumes, including rare works of Copernicus, Galileo, Kepler, Newton, and Secchi. Allegedly, it was also the place in which the Pope’s highest officers held private meetings†¦ those meetings they preferred not to hold within the walls of Vatican City. Approaching the door, Bishop Aringarosa would never have imagined the shocking news he was about to receive inside, or the deadly chain of events it would put into motion. It was not until an hour later, as he staggered from the meeting, that the devastating implications settled in. Six monthsfrom now! he had thought. God help us! Now, seated in the Fiat, Bishop Aringarosa realized his fists were clenched just thinking about that first meeting. He released his grip and forced a slow inhalation, relaxing his muscles. Everything will be fine, he told himself as the Fiat wound higher into the mountains. Still, he wished his cell phone would ring. Why hasn’t the Teacher called me? Silas should have the keystone by now. Trying to ease his nerves, the bishop meditated on the purple amethyst in his ring. Feeling the textures of the mitre-crozier applique and the facets of the diamonds, he reminded himself that this ring was a symbol of power far less than that which he would soon attain. CHAPTER 35 The inside of Gare Saint-Lazare looked like every other train station in Europe, a gaping indoor- outdoor cavern dotted with the usual suspects – homeless men holding cardboard signs, collections of bleary-eyed college kids sleeping on backpacks and zoning out to their portable MP3 players, and clusters of blue-clad baggage porters smoking cigarettes. Sophie raised her eyes to the enormous departure board overhead. The black and white tabs reshuffled, ruffling downward as the information refreshed. When the update was finished, Langdon eyed the offerings. The topmost listing read: LYON – RAPIDE – 3:06 â€Å"I wish it left sooner,† Sophie said,† but Lyon will have to do.† Sooner? Langdon checked his watch 2:59 A. M. The train left in seven minutes and they didn’t even have tickets yet. Sophie guided Langdon toward the ticket window and said,† Buy us two tickets with your credit card.† â€Å"I thought credit card usage could be traced by – â€Å"Exactly.† Langdon decided to stop trying to keep ahead of Sophie Neveu. Using his Visa card, he purchased two coach tickets to Lyon and handed them to Sophie. Sophie guided him out toward the tracks, where a familiar tone chimed overhead and a P. A. announcer gave the final boarding call for Lyon. Sixteen separate tracks spread out before them. In the distance to the right, at quay three, the train to Lyon was belching and wheezing in preparation for departure, but Sophie already had her arm through Langdon’s and was guiding him in the exact opposite direction. They hurried through a side lobby, past an all-night cafe, and finally out a side door onto a quiet street on the west side of the station. A lone taxi sat idling by the doorway. The driver saw Sophie and flicked his lights. Sophie jumped in the back seat. Langdon got in after her. As the taxi pulled away from station, Sophie took out their newly purchased train tickets and tore them up. Langdon sighed. Seventy dollars well spent. It was not until their taxi had settled into a monotonous northbound hum on Rue de Clichy that Langdon felt they’d actually escaped. Out the window to his right, he could see Montmartre and the beautiful dome of Sacre-Coeur. The image was interrupted by the flash of police lights sailing past them in the opposite direction. Langdon and Sophie ducked down as the sirens faded. Sophie had told the cab driver simply to head out of the city, and from her firmly set jaw, Langdon sensed she was trying to figure out their next move. Langdon examined the cruciform key again, holding it to the window, bringing it close to his eyes in an effort to find any markings on it that might indicate where the key had been made. In the intermittent glow of passing streetlights, he saw no markings except the Priory seal. â€Å"It doesn’t make sense,† he finally said. â€Å"Which part?† â€Å"That your grandfather would go to so much trouble to give you a key that you wouldn’t know what to do with.† â€Å"I agree.† â€Å"Are you sure he didn’t write anything else on the back of the painting?† â€Å"I searched the whole area. This is all there was. This key, wedged behind the painting. I saw the Priory seal, stuck the key in my pocket, then we left.† Langdon frowned, peering now at the blunt end of the triangular shaft. Nothing. Squinting, he brought the key close to his eyes and examined the rim of the head. Nothing there either. â€Å"I think this key was cleaned recently.† â€Å"Why?† â€Å"It smells like rubbing alcohol.† She turned. â€Å"I’m sorry?† â€Å"It smells like somebody polished it with a cleaner.† Langdon held the key to his nose and sniffed. â€Å"It’s stronger on the other side.† He flipped it over. â€Å"Yes, it’s alcohol-based, like it’s been buffed with a cleaner or – † Langdon stopped. â€Å"What?† He angled the key to the light and looked at the smooth surface on the broad arm of the cross. It seemed to shimmer in places†¦ like it was wet. â€Å"How well did you look at the back of this key before you put it in your pocket?† â€Å"What? Not well. I was in a hurry.† Langdon turned to her. â€Å"Do you still have the black light?† Sophie reached in her pocket and produced the UV penlight. Langdon took it and switched it on, shining the beam on the back of the key. The back luminesced instantly. There was writing there. In penmanship that was hurried but legible. â€Å"Well,† Langdon said, smiling. â€Å"I guess we know what the alcohol smell was.† Sophie stared in amazement at the purple writing on the back of the key. 24 Rue Haxo An address! My grandfather wrote down an address! â€Å"Where is this?† Langdon asked. Sophie had no idea. Facing front again, she leaned forward and excitedly asked the driver,†Connaissez-vous la Rue Haxo?† The driver thought a moment and then nodded. He told Sophie it was out near the tennis stadium on the western outskirts of Paris. She asked him to take them there immediately. â€Å"Fastest route is through Bois de Boulogne,† the driver told her in French. â€Å"Is that okay?† Sophie frowned. She could think of far less scandalous routes, but tonight she was not going to be picky. â€Å"Oui.† We can shock the visiting American. Sophie looked back at the key and wondered what they would possibly find at 24 Rue Haxo. A church? Some kind of Priory headquarters? Her mind filled again with images of the secret ritual she had witnessed in the basement grotto ten years ago, and she heaved a long sigh. â€Å"Robert, I have a lot of things to tell you.† She paused, locking eyes with him as the taxi raced westward. â€Å"But first I want you to tell me everything you know about this Priory of Sion.† CHAPTER 36 Outside the Salle des Etats, Bezu Fache was fuming as Louvre warden Grouard explained how Sophie and Langdon had disarmed him. Why didn’t you just shoot the blessed painting! â€Å"Captain?† Lieutenant Collet loped toward them from the direction of the command post. â€Å"Captain, I just heard. They located Agent Neveu’s car.† â€Å"Did she make the embassy?† â€Å"No. Train station. Bought two tickets. Train just left.† Fache waved off warden Grouard and led Collet to a nearby alcove, addressing him in hushed tones. â€Å"What was the destination?† â€Å"Lyon.† â€Å"Probably a decoy.† Fache exhaled, formulating a plan. â€Å"Okay, alert the next station, have the train stopped and searched, just in case. Leave her car where it is and put plainclothes on watch in case they try to come back to it. Send men to search the streets around the station in case they fled on foot. Are buses running from the station?† â€Å"Not at this hour, sir. Only the taxi queue.† â€Å"Good. Question the drivers. See if they saw anything. Then contact the taxi company dispatcher with descriptions. I’m calling Interpol.† Collet looked surprised. â€Å"You’re putting this on the wire?† Fache regretted the potential embarrassment, but he saw no other choice. Close the net fast, and close it tight. The first hour was critical. Fugitives were predictable the first hour after escape. They always needed the same thing. Travel.Lodging.Cash.The Holy Trinity. Interpol had the power to make all three disappear in the blink of an eye. By broadcast-faxing photos of Langdon and Sophie to Paris travel authorities, hotels, and banks, Interpol would leave no options – no way to leave the city, no place to hide, and no way to withdraw cash without being recognized. Usually, fugitives panicked on the street and did something stupid. Stole a car. Robbed a store. Used a bank card in desperation. Whatever mistake they committed, they quickly made their whereabouts known to local authorities. â€Å"Only Langdon, right?† Collet said. â€Å"You’re not flagging Sophie Neveu. She’s our own agent.† â€Å"Of course I’m flagging her!† Fache snapped. â€Å"What good is flagging Langdon if she can do all his dirty work? I plan to run Neveu’s employment file – friends, family, personal contacts – anyone she might turn to for help. I don’t know what she thinks she’s doing out there, but it’s going to cost her one hell of a lot more than her job!† â€Å"Do you want me on the phones or in the field?† â€Å"Field. Get over to the train station and coordinate the team. You’ve got the reins, but don’t make a move without talking to me.† â€Å"Yes, sir.† Collet ran out. Fache felt rigid as he stood in the alcove. Outside the window, the glass pyramid shone, its reflection rippling in the windswept pools. They slipped through my fingers.He told himself to relax. Even a trained field agent would be lucky to withstand the pressure that Interpol was about to apply. A female cryptologist and a schoolteacher? They wouldn’t last till dawn. CHAPTER 37 The heavily forested park known as the Bois de Boulogne was called many things, but the Parisian cognoscenti knew it as† the Garden of Earthly Delights.† The epithet, despite sounding flattering, was quite to the contrary. Anyone who had seen the lurid Bosch painting of the same name understood the jab; the painting, like the forest, was dark and twisted, a purgatory for freaks and fetishists. At night, the forest’s winding lanes were lined with hundreds of glistening bodies for hire, earthly delights to satisfy one’s deepest unspoken desires – male, female, and everything in between. As Langdon gathered his thoughts to tell Sophie about the Priory of Sion, their taxi passed through the wooded entrance to the park and began heading west on the cobblestone cross fare. Langdon was having trouble concentrating as a scattering of the park’s nocturnal residents were already emerging from the shadows and flaunting their wares in the glare of the headlights. Ahead, two topless teenage girls shot smoldering gazes into the taxi. Beyond them, a well-oiled black man in a G-string turned and flexed his buttocks. Beside him, a gorgeous blond woman lifted her miniskirt to reveal that she was not, in fact, a woman. Heaven help me! Langdon turned his gaze back inside the cab and took a deep breath. â€Å"Tell me about the Priory of Sion,† Sophie said. Langdon nodded, unable to imagine a less congruous a backdrop for the legend he was about to tell. He wondered where to begin. The brotherhood’s history spanned more than a millennium†¦ an astonishing chronicle of secrets, blackmail, betrayal, and even brutal torture at the hands of an angry Pope. â€Å"The Priory of Sion,† he began,† was founded in Jerusalem in 1099 by a French king named Godefroi de Bouillon, immediately after he had conquered the city.† Sophie nodded, her eyes riveted on him.† King Godefroi was allegedly the possessor of a powerful secret – a secret that had been in his family since the time of Christ. Fearing his secret might be lost when he died, he founded a secret brotherhood – the Priory of Sion – and charged them with protecting his secret by quietly passing it on from generation to generation. During their years in Jerusalem, the Priory learned of a stash of hidden documents buried beneath the ruins of Herod’s temple, which had been built atop the earlier ruins of Solomon’s Temple. These documents, they believed, corroborated Godefroi’s powerful secret and were so explosive in nature that the Church would stop at nothing to get them.† Sophie looked uncertain. â€Å"The Priory vowed that no matter how long it took, these documents must be recovered from the rubble beneath the temple and protected forever, so the truth would never die. In order to retrieve the documents from within the ruins, the Priory created a military arm – a group of nine knights called the Order of the Poor Knights of Christ and the Temple of Solomon.† Langdon paused. â€Å"More commonly known as the Knights Templar.† Sophie glanced up with a surprised look of recognition. Langdon had lectured often enough on the Knights Templar to know that almost everyone on earth had heard of them, at least abstractedly. For academics, the Templars’ history was a precarious world where fact, lore, and misinformation had become so intertwined that extracting a pristine truth was almost impossible. Nowadays, Langdon hesitated even to mention the Knights Templar while lecturing because it invariably led to a barrage of convoluted inquiries into assorted conspiracy theories. Sophie already looked troubled. â€Å"You’re saying the Knights Templar were founded by the Priory of Sion to retrieve a collection of secret documents? I thought the Templars were created to protect the Holy Land.† â€Å"A common misconception. The idea of protection of pilgrims was the guise under which the Templars ran their mission. Their true goal in the Holy Land was to retrieve the documents from beneath the ruins of the temple.† â€Å"And did they find them?† Langdon grinned. â€Å"Nobody knows for sure, but the one thing on which all academics agree is this: The Knights discovered something down there in the ruins†¦ something that made them wealthy and powerful beyond anyone’s wildest imagination.† Langdon quickly gave Sophie the standard academic sketch of the accepted Knights Templar history, explaining how the Knights were in the Holy Land during the Second Crusade and told King Baldwin II that they were there to protect Christian pilgrims on the roadways. Although unpaid and sworn to poverty, the Knights told the king they required basic shelter and requested his permission to take up residence in the stables under the ruins of the temple. King Baldwin granted the soldiers’ request, and the Knights took up their meager residence inside the devastated shrine. The odd choice of lodging, Langdon explained, had been anything but random. The Knights believed the documents the Priory sought were buried deep under the ruins – beneath the Holy of Holies, a sacred chamber where God Himself was believed to reside. Literally, the very center of the Jewish faith. For almost a decade, the nine Knights lived in the ruins, excavating in total secrecy through solid rock. Sophie looked over. â€Å"And you said they discovered something?† â€Å"They certainly did,† Langdon said, explaining how it had taken nine years, but the Knights had finally found what they had been searching for. They took the treasure from the temple and traveled to Europe, where their influence seemed to solidify overnight. Nobody was certain whether the Knights had blackmailed the Vatican or whether the Church simply tried to buy the Knights’ silence, but Pope Innocent II immediately issued an unprecedented papal bull that afforded the Knights Templar limitless power and declared them† a law unto themselves† – an autonomous army independent of all interference from kings and prelates, both religious and political. With their new carte blanche from the Vatican, the Knights Templar expanded at a staggering rate, both in numbers and political force, amassing vast estates in over a dozen countries. They began extending credit to bankrupt royals and charging interest in return, thereby establishing modern banking and broadening their wealth and influence still further. By the 1300s, the Vatican sanction had helped the Knights amass so much power that Pope Clement V decided that something had to be done. Working in concert with France’s King Philippe IV, the Pope devised an ingeniously planned sting operation to quash the Templars and seize their treasure, thus taking control of the secrets held over the Vatican. In a military maneuver worthy of the CIA, Pope Clement issued secret sealed orders to be opened simultaneously by his soldiers all across Europe on Friday, October 13 of 1307. At dawn on the thirteenth, the documents were unsealed and their appalling contents revealed. Clement’s letter claimed that God had visited him in a vision and warned him that the Knights Templar were heretics guilty of devil worship, homosexuality, defiling the cross, sodomy, and other blasphemous behavior. Pope Clement had been asked by God to cleanse the earth by rounding up all the Knights and torturing them until they confessed their crimes against God. Clement’s Machiavellian operation came off with clockwork precision. On that day, countless Knights were captured, tortured mercilessly, and finally burned at the stake as heretics. Echoes of the tragedy still resonated in modern culture; to this day, Friday the thirteenth was considered unlucky. Sophie looked confused. â€Å"The Knights Templar were obliterated? I thought fraternities of Templars still exist today?† â€Å"They do, under a variety of names. Despite Clement’s false charges and best efforts to eradicate them, the Knights had powerful allies, and some managed to escape the Vatican purges. The Templars’ potent treasure trove of documents, which had apparently been their source of power, was Clement’s true objective, but it slipped through his fingers. The documents had long since been entrusted to the Templars’ shadowy architects, the Priory of Sion, whose veil of secrecy had kept them safely out of range of the Vatican’s onslaught. As the Vatican closed in, the Priory smuggled their documents from a Paris preceptory by night onto Templar ships in La Rochelle.† â€Å"Where did the documents go?† Langdon shrugged. â€Å"That mystery’s answer is known only to the Priory of Sion. Because the documents remain the source of constant investigation and speculation even today, they are believed to have been moved and rehidden several times. Current speculation places the documents somewhere in the United Kingdom.† Sophie looked uneasy. â€Å"For a thousand years,† Langdon continued,† legends of this secret have been passed on. The entire collection of documents, its power, and the secret it reveals have become known by a single name – Sangreal. Hundreds of books have been written about it, and few mysteries have caused as much interest among historians as the Sangreal.† â€Å"The Sangreal? Does the word have anything to do with the French word sang or Spanish sangre – meaning ‘blood’?† Langdon nodded. Blood was the backbone of the Sangreal, and yet not in the way Sophie probably imagined. â€Å"The legend is complicated, but the important thing to remember is that the Priory guards the proof, and is purportedly awaiting the right moment in history to reveal the truth.† â€Å"What truth? What secret could possibly be that powerful?† Langdon took a deep breath and gazed out at the underbelly of Paris leering in the shadows.† Sophie, the word Sangreal is an ancient word. It has evolved over the years into another term†¦ a more modern name.† He paused. â€Å"When I tell you it’s modern name, you’ll realize you already know a lot about it. In fact, almost everyone on earth has heard the story of the Sangreal.† Sophie looked skeptical. â€Å"I’ve never heard of it.† â€Å"Sure you have.† Langdon smiled. â€Å"You’re just used to hearing it called by the name ‘Holy Grail. ‘† How to cite The Da Vinci Code Chapter 33-37, Essay examples

Art Review Forgotten Fence by Carolyn Rosenberger Essay Example For Students

Art Review: Forgotten Fence by Carolyn Rosenberger Essay A formal analysis of Carolyn Rosenberger’s work Forgotten Fence, exhibited in the 69th annual juried art show at the Neville Public Museum. Forgotten Fence is a watercolor painting on rice paper covered clay board. The piece is conceptually pieced together depicting eerie like trees and a rickety old fence on a hill using a washed out mute color scheme. Rosenberger’s composition is strategically pieced together using the formal elements line, color, shape, space, and texture to give her work an overall gentle but cold feeling. To start off lines plays a subtle role in the composition and are rather faint to the viewer, giving the painting its initial washed out feeling as if you were in a haze looking upon the scenery. Lines within the composition can be found forming the horizon line and the boundaries of the trees and fence. The lines throughout the composition are mainly soft, shallow curvilinear, which defines what we first see as a landscape in a natural setting. As well, such use of lines draw our eyes towards the mid-section of the image, where the line use implies continuation of the landscape beyond the picture plane. However, line in this piece does not necessarily play an important nor a dominate role in the overall feeling of the composition. Color is another formal element used within Rosenberger’s painting. The colors are mainly washed out and muted. However, the way she uses the color scheme strongly defines space and unity within the composition. From her dark browns and oranges to her faint blues and yellows, Rosenberg successfully created a mood for the painting. For instance, the dark values ranges in the piece create a sense of mystery and help bring out the feeling with in the setting as being a forgotten place. However, the way she uses the lighter values brings out the intensity of the painting itself, which gives the composition a gentle and welcoming feel despite its ominous appearance. Shape is used to create the main setting of this painting, giving it its landscape quality. The shape ranges within the composition range from organic and three dimensional to flat and space defining. The organic and asymmetrical forms reside mainly at the top of the composition which draws our eyes towards the fence, while the remainder of the image is filled with textural and space defining qualities. However shape is not a defining or dominant element of the image itself. Rosenberger’s piece is particularly interesting through her use of both positive and negative space as well as three-dimensional space. The use of both has a great impact of the overall quality of the work. The positive and negative space used makes the work engaging to the viewer and ethically pleasing to the eye. It also creates interest in regards to the concepts portrayed such as the â€Å"forgotten fence† painted strategically with in the positive space of the composition. The positive and negative space are also particularly interesting in this piece because the positive space depicted is mainly within the dark value ranges while the negative space is within the light value ranges. Such used of space gives the painting a feeling of isolation. However, three-dimensional space is only suggested within the image through Rosenberger’s use of proportional qualities, such as the trees the horizon, and fence. It also creates a sense of unity and connection of all elements used. Now the rice paper overlaid on a clay board plays a big role in the formation of texture with in this piece. Texture is one of the main elements that gives this composition its interest. The use of rice paper gives the viewer a visual sense of how the scene might physically feel if touched in real life. Also, the use of rice paper as a textural quality brings unity throughout the image, with its natural texture complimenting the painted texture of the tree branches. Rosenberger is also able to portray further texture through her use of color, line, and shading, giving the grass a thick and deep feeling. Her thick and gestural strokes further enhance the qualities of texture within the composition adding and sense of energy with in. .u72ce940b1c95abe2a3e924a6884dbfc1 , .u72ce940b1c95abe2a3e924a6884dbfc1 .postImageUrl , .u72ce940b1c95abe2a3e924a6884dbfc1 .centered-text-area { min-height: 80px; position: relative; } .u72ce940b1c95abe2a3e924a6884dbfc1 , .u72ce940b1c95abe2a3e924a6884dbfc1:hover , .u72ce940b1c95abe2a3e924a6884dbfc1:visited , .u72ce940b1c95abe2a3e924a6884dbfc1:active { border:0!important; } .u72ce940b1c95abe2a3e924a6884dbfc1 .clearfix:after { content: ""; display: table; clear: both; } .u72ce940b1c95abe2a3e924a6884dbfc1 { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u72ce940b1c95abe2a3e924a6884dbfc1:active , .u72ce940b1c95abe2a3e924a6884dbfc1:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u72ce940b1c95abe2a3e924a6884dbfc1 .centered-text-area { width: 100%; position: relative ; } .u72ce940b1c95abe2a3e924a6884dbfc1 .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u72ce940b1c95abe2a3e924a6884dbfc1 .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u72ce940b1c95abe2a3e924a6884dbfc1 .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u72ce940b1c95abe2a3e924a6884dbfc1:hover .ctaButton { background-color: #34495E!important; } .u72ce940b1c95abe2a3e924a6884dbfc1 .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u72ce940b1c95abe2a3e924a6884dbfc1 .u72ce940b1c95abe2a3e924a6884dbfc1-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u72ce940b1c95abe2a3e924a6884dbfc1:after { content: ""; display: block; clear: both; } READ: Milanese and Siennese school EssayTexture along with value and line is what makes this scene so intriguing, and inviting but yet desolate at the same time. Rosenberger strategically organized her use of the formal elements in such a manner, giving more importance to one than another, that the composition itself is unique and stands out amongst other similar works. She not only limited her pallet but used the natural qualities of her media to direct the feeling of the painting, giving into the concept of the forgotten fence. However, her is far from forgettable it is both engaging and mysterious at the same time. The viewer looks upon the work with wonders of where this is, when it is, and why is such a place so forgotten. Its peaceful, the values bring out a calm feeling, as if you could see yourself -sitting up on the hill reading a book on a crisp autumn morning. Also, her texture not only give you the physical feeling of being there, but even enhances a familiar sent of being in the leaves, and breathing chilled air. But all together, the formal elements line, color, shape, space, and texture are what gives her work its overall importance that makes the composition ecstatically pleasing. Rosenberger’s Forgotten Fence interested me due to its small scale and use of mix media. The rice paper is what I found to be the most interesting. I liked how it gave the composition a thick and chunked up appearance, which enhanced the feelings I got from the set scenery of the image. It engaged me and made me think of a place I had once been before, a place that I had forgotten. The image is simple, it’s just a fence on a hill, nothing special, but a kind of place that just about everyone has experienced before, but maybe never paid much mind too. The piece is relatable, which allowed me to draw on each one of my senses to feel the painting both visually and physically through my eyes. I could even catch a scent in the air of what it would be like there, crisp cold air, the scent of the fall foliage and the first season’s snow. On top of the work being a forgotten relation to the viewer, I found it to be ecstatically pleasing though her use of scale, value, and shape arrangement. Even surrounded by many larger scale works I was still drawn to this piece first from a distance. Her organization of shapes brought my eyes to the painting, but her used of texture is what drew me in, I wasnt sure what I was looking at so I had to get a closer look. Then as soon as I stepped in front of it all the memories of being a kid running around out at my uncles farm, chasing kittens, and thinking I’d get lost in his woods came back to me. A simple painting alone gave me all that, which is why I choose Rosenberger’s Forgotten Fence, it was the only piece that brought back a flood of memories for me.